育才学习网1. presentation怎么写
presentation
英 [prez（ə）n'teɪʃ（ə）n]
美 [，prizɛn'teʃən]
n. 展示；描述，陈述；介绍；赠送
[网络短语]
Presentation 情况介绍，表现，呈现
face presentation 面先露，颜面位，面位
Presentation Mode 演示模式，发表方式，简报模式
希望帮到你 望采纳 谢谢 加油
2. 怎样写英语presentation
In 1951, when he had just completed the last major project of his life, the Chapelle du Rosaire at Vence, Matisse summed up close on fifty years of work in these few words: "For me this chapel is the culmination of an entire working life and the flowering of a huge effort that has been heartfelt and arduous." The only working life of an artist to match his in longevity was that of his contemporary, Picasso. But unlike the latter, Matisse produced an oeuvre subservient to a single idea: the search for a balance of colours and forms; by the end of his life, he succeeded in imprinting this upon matter, though, as he himself made plain, it was not without effort.Indeed we learn from Matisse that from the first picture that got him noticed, Luxe, calme et volupté62616964757a686964616fe78988e69d8331333330336338, in 1904, all the way to the chapel at Vence, the simplicity, freshness and the immediately striking brilliance that characterise his work came into being only as a result of much deep thought.In order to reconcile colour with drawing through his gouache-painted cutouts, he had to deploy sculpture and flatness of colour in turn, in other words abstracting colour from design and vice versa, so as to circumscribe their respective potencies.So that "art and decoration" would be "just one and the same thing", he studied architecture and saw how painting can transfigure it. Finally, for painting to become that "art of balance, purity and serenity, with no troubling or disquieting subjects, so that for any mental worker, for example the businessman just as much as the artistic man of letters, it can be a soothing influence on the brain, rather the way a good armchair gives him relaxation from physical tiredness" (as he observed in 1908), Matisse pursued his original intuition through the great currents of art history over half a century: divisionism, fauvism and abstraction - without ever getting lost.He had to travel a great deal too: to Brittany and the south of France, opening himself to Eastern influences on a trip to Morocco, visiting America and Oceania.At the end of this odyssey through colour and ornamentalism, for the artists of the generation that came after him, both in the US and in Europe, Matisse became what André Masson called "the oasis of Matisse"; for the American abstract painters of the Fifties and Sixties, from Rothko to Kelly, from Sam Francis to Robert Motherwell; for Hantaï and Viallat in France in the Sixties - all of whom drew their source of inspiration from the freshness of his œuvre. 1904 Matisse's first exhibition, at the Ambroise Vollard gallery, Paris.1905 Luxe, calme et volupté， painted during the previous summer at St-Tropez, is exhibited at the Salon des Indépendants and bought by Signac. Other canvases are presented at the Salon d'Automne alongside works by Derain, Vlaminck, Marquet and others in a room which the art critic Louis Vauxcelles, the originator of the term "Cubism", dubs "la cage aux fauves" (the wild beasts' cage). A new movement is born, with Matisse as its leader.1906 Matisse stays for a time at Biskra in Algeria, and at Collioure, where he is fascinated by the Mediterranean landscape.1907 Having acquired a degree of fame, he teaches in a school set up by a group of admirers.1908 At his New York gallery, the "291", Alfred Stieglitz organises the first exhibition of Matisse's work in the United States.1909 The Russian collector Shchukin commissions two decorative panels from him: La Danse and La Musique.1910 Retrospective exhibition at the Bernheim-Jeune gallery, Paris.1911 Matisse travels to Seville, Collioure and Moscow, where he studies the icons, then spends the winter of 1911-1912 at Tangiers; he discovers the dazzling light of Morocco.1913 The paintings done in Morocco are exhibited in Paris along with recent work, at the same time as 17 works are hung at the great international exhibition, the Armory Show, in New York.1914 When war is declared, in spite of having volunteered Matisse is not mobilised. He settles in Collioure where he becomes the friend of the most intellectual of the Cubist painters, Juan Gris.1918 The Paul Guillaume gallery organises an exhibition which compares his works with Picasso's.1920 Matisse designs the sets and costumes for Diaghilev's ballet, Le Chant du rossignol, with music by Stravinsky.1924 First major retrospective in Copenhagen.1927 Matisse is awarded the prestigious Carnegie Prize.1930 He embarks on his trip to Tahiti, with New York and San Francisco as ports of call.He begins work on illustrating Mallarmé's poetry, and accepts Doctor Barnes's commission for three 。
3. Topic Presentation 怎么写啊
题目MY FIRST CAR
I am going to talk about my first car. When I first come to this country 6 years ago. I was fresh-of-the-boat with $1000 in my checking account. Obviously I couldn't afford a car. So I saved up my meager RA salaries for the next 5 months until my saving reaches $2000. Meanwhile, I kept looking the classified ads for used cars. Eventually, I found a car that I can afford. Although it was beaten up 1989 Corolla, it was love-at-first-sight for me.
It met all my expectations: it has 4 doors, enough trunk space to put all my sports gears, and it runs smoothly. The mileage was relatively low for a 1989 car, because it only switches hands among college students that drive locally.
But I didn't rush to buy it, instead I took my housemate's advice to sleep over the idea. During that week, I started to compare every car I saw on the street with my target. Every comparison convinced me that the 89 Corolla was the best I can afford. So as always, I negotiated with the seller and wrote a check to get the key.
That day after dinner, I sat into my own car, parked behind my apartment, listening to the cassette player that comes with the car. I thought to myself: now I actually OWN a part of this country. A bigger than life satisfaction immerses me.
4. 怎样写英语presentation
In 1951, when he had just completed the last major project of his life, the Chapelle du Rosaire at Vence, Matisse summed up close on fifty years of work in these few words: "For me this chapel is the culmination of an entire working life and the flowering of a huge effort that has been heartfelt and arduous."The only working life of an artist to match his in longevity was that of his contemporary, Picasso. But unlike the latter, Matisse produced an oeuvre subservient to a single idea: the search for a balance of colours and forms; by the end of his life, he succeeded in imprinting this upon matter, though, as he himself made plain, it was not without effort.Indeed we learn from Matisse that from the first picture that got him noticed, Luxe, calme et volupté62616964757a686964616fe78988e69d8331333330336338, in 1904, all the way to the chapel at Vence, the simplicity, freshness and the immediately striking brilliance that characterise his work came into being only as a result of much deep thought.In order to reconcile colour with drawing through his gouache-painted cutouts, he had to deploy sculpture and flatness of colour in turn, in other words abstracting colour from design and vice versa, so as to circumscribe their respective potencies.So that "art and decoration" would be "just one and the same thing", he studied architecture and saw how painting can transfigure it. Finally, for painting to become that "art of balance, purity and serenity, with no troubling or disquieting subjects, so that for any mental worker, for example the businessman just as much as the artistic man of letters, it can be a soothing influence on the brain, rather the way a good armchair gives him relaxation from physical tiredness" (as he observed in 1908), Matisse pursued his original intuition through the great currents of art history over half a century: divisionism, fauvism and abstraction - without ever getting lost.He had to travel a great deal too: to Brittany and the south of France, opening himself to Eastern influences on a trip to Morocco, visiting America and Oceania.At the end of this odyssey through colour and ornamentalism, for the artists of the generation that came after him, both in the US and in Europe, Matisse became what André Masson called "the oasis of Matisse"; for the American abstract painters of the Fifties and Sixties, from Rothko to Kelly, from Sam Francis to Robert Motherwell; for Hantaï and Viallat in France in the Sixties - all of whom drew their source of inspiration from the freshness of his œuvre. 1904Matisse's first exhibition, at the Ambroise Vollard gallery, Paris.1905Luxe, calme et volupté， painted during the previous summer at St-Tropez, is exhibited at the Salon des Indépendants and bought by Signac. Other canvases are presented at the Salon d'Automne alongside works by Derain, Vlaminck, Marquet and others in a room which the art critic Louis Vauxcelles, the originator of the term "Cubism", dubs "la cage aux fauves" (the wild beasts' cage). A new movement is born, with Matisse as its leader.1906Matisse stays for a time at Biskra in Algeria, and at Collioure, where he is fascinated by the Mediterranean landscape.1907Having acquired a degree of fame, he teaches in a school set up by a group of admirers.1908At his New York gallery, the "291", Alfred Stieglitz organises the first exhibition of Matisse's work in the United States.1909The Russian collector Shchukin commissions two decorative panels from him: La Danse and La Musique.1910Retrospective exhibition at the Bernheim-Jeune gallery, Paris.1911Matisse travels to Seville, Collioure and Moscow, where he studies the icons, then spends the winter of 1911-1912 at Tangiers; he discovers the dazzling light of Morocco.1913The paintings done in Morocco are exhibited in Paris along with recent work, at the same time as 17 works are hung at the great international exhibition, the Armory Show, in New York.1914When war is declared, in spite of having volunteered Matisse is not mobilised. He settles in Collioure where he becomes the friend of the most intellectual of the Cubist painters, Juan Gris.1918The Paul Guillaume gallery organises an exhibition which compares his works with Picasso's.1920Matisse designs the sets and costumes for Diaghilev's ballet, Le Chant du rossignol, with music by Stravinsky.1924First major retrospective in Copenhagen.1927Matisse is awarded the prestigious Carnegie Prize.1930He embarks on his trip to Tahiti, with New York and San Francisco as ports of call.He begins work on illustrating Mallarmé's poetry, and accepts Doctor Barnes's commission for three decorative 。
5. 怎么做presentation
你最好再问问老师要求是什么，不然给你东西你也不知道对不对，不符合题就白做了，不懂就问，让老师知道你抄的就完了，国外很忌讳这个。
大概分三部分
第一部分 ：Overview/Introduction. 这里写两到三个点，先说明你要说的是什么object，要描述它的什么情况，比如说size, weight,etc.，这个一张幻灯片就够了
第二部分：展开说你刚才overview的那几个点，相加图片的话就加，幻灯片3-5个点，都要短语，避免使用句子
最后就是：conclusion.就是总结一下你今天说了什么，基本上就是第一部分的复述，但是最好要改变一下用词，以免别人感觉重复。这个也是一张幻灯片
6. presentation反思怎么写
presentation
n. 提交；演出；陈述，报告；颁奖仪式
例句：
I always ask how much time I have to make my presentation.
我总是问我的报告需要做多长时间。
反思
[fǎn sī]
introspection; self-examination; rethink profoundly; profound consideration
例句：
我想我们都需要反思自己对待健康和疾病的态度。
I think all of us need to rethink our attitudes toward health and sickness.
7. 如何做presentation
所谓presentation，不一定非是powerpoint presentation不可。外企对管理人员的衡量指标之一有一个selling skill，其实大多便是从presentation里面得来的印象。外企看重的presentation是所有外企员工展示自己能力最好的平台，不懂得这个道理便做不好presentation.
不论是怎样的presentation，目的都一样——说服别人接受某一个观点，告诉别人他们不了解的事。下面从技术上谈谈几个步骤及要点：
1. Title page或Front page（封面/首页）
以powerpoint为例，一个好的presentation的封面页上要有以下几个要素：
(1)演示题目（长度不超过一行的60%，如太长，应精简文字或设为两行。三行为大忌。）
(2)副标题（不一定要有）
(3)演示人姓名：常用的排版方式是全居中，也可以采用full block或half block，但要与选用的powerpoint template背景配合。
(4)日期
2. Introduction（简介）
演示内容的简要介绍。
3. Agenda（演示专题目录）
这一点至关重要，目的是给听众一个清晰的脉络，给人条理性强的印象。但agenda的页面排版要注意：最好不要超过6行，每行注意长度不要超过页面一行的80%，保证页面整体的视觉效果清晰。
4. 演示正文页面
字数最忌太多。注意给页面给白，并且要按照信息的重要性排好次序，每行字数不要差别太大。正文页面不要使用全局中方式。有一种理论说，每行不要超过6个字，有一定的道理，但不一定。
5. 目录页插入
根据演示进程插入刚开始时的目录页，标明进程。以免观众忘记脉络。
6. Visual aid
适当使用视觉辅助手段很重要，但不要太多，以免喧宾夺主。所谓视觉辅助指的不是office自带的那些剪贴画，而是各种图形、图标等。office的各种图标也尽量不要使用。
7. 动画效果与transition
Office页面动画效果要慎用。除非某个页面有特别强调内容，也不要使用页面转换动画效果。这些都是不专业的表现。
以上是powerpoint页面制作技术层面的要点，更重要的是演示时的理念。
第一，要明确做演示的目的。
如果是培训，要大量使用visual aid，否则枯燥的文字内容很难吸引听众的注意力。
如果是工作汇报，要通过各种指标的分析（使用分析图表和图形），引出分析结果。
第二，语速要变化。这一点不必多说。
第三，不要背对观众。许多做powerpoint演示的人常犯的错误是看屏幕的时间太多，与观众的目光交流太少。给人以看录像的感觉，而容易使观众忽视演示人的表现。还要注意目光交流不能偏颇，防止部分观众感到被忽视。
第四，适当发问。这是防止观众跑神的方法，但不能使用过多。
第五，切忌照屏幕念稿。演示的内容绝不等于屏幕显示的那些字，否则观众用不了三页就没人看演示人了。演示的全过程中始终要让观众的眼睛盯在演示人身上，而不是屏幕上。需要观众看屏幕时要及时提示。这样，观众始终被演示人引导着，演示效果最好，同时加深了演示人的形象。
第六，观察观众的反应，及时解惑，防止迷惑的观众注意力流失。
第七，演示人body language
常见的演示错误是演示人手持打印稿按照演示顺序念，观众或看屏幕，或看发放的稿子，纯粹是传达文字，效果最差。好的presentation是在做到了第五点的基础上用适当的身体语言与观众达成长久的互动交流。
第八，演示过程中不要加入过多自己的评论。
第九，所有演示援引数字、资料要注明出处。跟写学术论文一个道理。
掌握了这些要点，每次的presentation都是你全面展示自己才能的平台了。大多数美国人从幼儿园开始就会做presentation了，而国人大多不善于用这种形式表现。我接触的中国企业，没有一个能做出像样的presentation的，这是他们始终是“不成熟”企业的原因之一。
8. 如何做“presentation”?
1、情绪。带动观众情绪，在所有优秀的 Presentation 里面，演讲者对台下情绪的控制和把握都相当精准。
2、演讲内容有层次感，是非常有必要的
首先：演讲内容有层次感，是非常有必要的演讲内容有层次感，是非常有必要的
首先：演讲的主题不宜过大，题目最好有标题党嫌疑的，但是切记不要过于夸张，如果没有特别的要求，最好就只有一个词，这样自由度会相对更大一点。我的个人习惯是先把我要写的写完，然后再定个题目。再根据题目修修补补。
内容的层次感来自于主题所引出的逻辑主线所涵盖的各个方面。
三、时间把控
Presentation 对于时间把控的要求也非常高，在 Apple 内部培训的逐字稿中，非常清楚的标注了每一个议题所用的时间，最长的 15min。
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